Published June 6, 2008  |  A A A
SmartMoney Magazine by Jason Kephart (Author Archive)

10 Things Your Ticket Broker Won't Tell You

1. "We thrive on your confusion."

In recent years you might've noticed the options for buying tickets to concerts, sporting events and the theater have been expanding. First there are the venue box offices and event promoters, which sell seats directly to the public. Next comes what's called the primary market, including giants like Ticketmaster that contract with venues and promoters to sell seats at their events. Finally — and this is where things get really confusing — there's a growing secondary market for reselling tickets, including sites like StubHub (a Craigslist-style marketplace where people can sell tickets they've bought) and Onlineseats.com (which buys tickets for resale to the public).

The primary market is still the most common way to get tickets; it brought in $21 billion in 2007, versus $5 billion for the secondary market. But by 2012 the latter is expected to double its sales, according to Forrester Research. The problem is, the resellers' market is the Wild West of ticket sales, rife with opportunity as well as scam. And most folks don't even know there's a difference between primary and secondary sellers, says TicketNews.com publisher Crystal Astrachan. The upshot: When buying tickets, what you don't know can hurt you.

2. "You may be better off buying tickets the old-fashioned way."

A major reason for the growth of the secondary marketplace is the fact that people are willing to pay big bucks to see their favorite artists or teams perform. According to Forrester Research, three out of five consumers paid more than face value when buying tickets online through a secondary seller. Right now ticket prices simply aren't set as high as what they're worth on the open market, says Sucharita Mulpuru, a retail analyst at Forrester: "That's why you have a second market." Take the Super Bowl. Tickets to last season's game went for an average $3,540 on StubHub, versus $700 and $900 at face value.

The recent relaxation of antiscalping laws in 44 states — including big ticket issuers like California, Nevada and New York — has contributed as well, basically providing a free market for resellers. But that's not necessarily a good thing for consumers, says Mulpuru, who warns that eventually, the primary market will catch up and start chargingmore. "That's where this is all headed," she says. So what's the safest route for consumers? Stick to the box office or Ticketmaster when possible, until the ticket industry sorts itself out.

3. "You've got season tickets? Ka-ching!"

The secondary market has been a boon to season-ticket holders who want to sell their seats for a profit. Sean Pate, corporate communications head for StubHub, estimates 60 to 70 percent of sports tickets on the site are from season-ticket holders. But there's an important variable when it comes to price: Is the franchise any good? Seats for the Boston Celtics, one of the hottest teams in the NBA this season, went for an average $97 on StubHub, a 48 percent increase over average face value, according to Team Market Research. But owners of Miami Heat seats, one of the league's worst, were lucky to break even, Pate says.

The real money is in NFL tickets, says secondary reseller RazorGator CEO Jeff Lapin. Resale prices for football can easily be double, triple or, in the case of the Green Bay Packers, four times face value. If you happen to own season tickets to the New England Patriots, however, the team allows only face-value resale to people on its waiting list. "We state clearly that the reselling of tickets is a revocable offense," says a Patriots spokesperson. But that hasn't stopped the flow of tickets. "They're one of our best sellers," says StubHub's Pate.

4. "Our motto: 'If you can't beat 'em, join 'em.'"

TicketMaster, the largest ticket seller in the world, sold an estimated $8.3 billion worth of tickets in 2007, roughly 40 percent of all ticket revenue in the primary market, according to Mulpuru. But with the secondary marketplace on the rise, Ticketmaster has hedged its bets by creating its own fan-to-fan ticket-reselling platform, TicketExchange, and purchasing TicketsNow, the third-largest online reseller. "Ticketmaster has intentionally tried to vilify the secondary market for years, making it seem like an underground black market," says Pate. "But buying TicketsNow validates the growth and future of the secondary market."

The result? Sean Moriarity, president and CEO of Ticketmaster, says the move "will allow us to provide a safer, more reliable and efficient resale experience." Indeed, Ticketmaster's new involvement in the secondary market has introduced more consumer protection there. But make no mistake: "You've got to be very, very careful when buying tickets for big-time events," says Stephen Happel, professor of economics at Arizona State University. "Make sure the fine print says you're guaranteed a ticket."

5. "Broadway tourists are such easy marks."

For more SmartMoney Magazine features, turn to the June issue.
Out-of-town visitors to the Great White Way are often the least-savvy ticket buyers — especially when they go online. Some have shown up at venues with tickets bought from secondary brokers for over $100 when their face value was under $30 and seats were still available from Telecharge.com or the box office, according to Alan S. Cohen, director of communications for trade association The Broadway League.

Part of the problem is the size of Broadway's theaters, which have from several hundred seats to 2,000 — tiny compared with sports stadiums or amphitheaters. While there are fewer seats, the same number of brokers are snatching up tickets for the hottest events, jacking up prices. Another factor is the falling dollar, which has spawned an influx of international tourists to New York. According to The Broadway League's annual report, show attendance by foreign visitors rose almost 40 percent from the 2006 to 2007 season. So what's your best bet for scoring seats? Cohen suggests the theater box office or primary source www.broadwaytickets.com. If you don't mind the line, you can also get up to 50 percent off tickets at one of the TKTS discount booths in New York.

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User Comments
Posted by: StevefromPa

Take time and search instead of just giving in. I planned on seeing a concert in Atlantic city @ the Borgota, I searched the ticket brokers and what I noticed was that 12 different brokers were selling the same tickets price range from $140 to $200. The face value was $96 and $66, this was 3weeks b4 the concert. One week before the concert the ticket brokers were now asking for $200 to $357 per ticket and the Borgota was offering only standing tickets for $66. 2 days b4 the concert the ticket brokers were down 2 140 to 200 per ticket and the Borgota suddenly had $66 dollar tickets 19 rows from the stage in front...the same tickets were $200 just 2days b4...I purchaced them online with the Borgota will call service 2 days before the show and saved $320

Posted by: lhollie

There is one other option and that is to call the box office directly and you can order tickets over the telephone. Some theaters also sell them directly from their web site. You don't have to rely on Ticketmaster. But this applies to Broadway shows and concerts, not sports events as far as I know.

Posted by: cweberusa

Forget ticket brokers for now. Even the primary market is a mess. Consider Ticketmaster fees, for example: A 13% service fee on EACH ticket, regardless of how many I order, an additional fee for the entire order, and then to top it off a fee to send me a PDF of the tickets instead of (free) paper tickets. For a purchase of 4 or 5 tickets I end up paying the equivalent of an additional ticket in fees. In which other industry does a service provider get away with such fat profits?

The reason for this mess is that there is no competition in the market. Typically, a service provider like Ticketmaster has an exclusive, long term contract for a venue or event, and therefore my only options are to drive to the box office (often many miles away) or suck it up and pay Ticketmaster's extortionate fees. Mind you, I don't object to paying extra for the convenience of online ordering, but it cannot be worth as much as it costs today. Not even close!

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